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Elizabeth's face trappe

 
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kimerajamm



Joined: 28 Nov 2010
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PostPosted: Fri Apr 08, 2011 3:54 am    Post subject: Elizabeth's face trappe Reply with quote

Matheson's screenplay included a flashback to a time immediately preceding Elizabeth's illness, featuring Nicholas and Elizabeth horseback riding and eating a picnic lunch. Corman deleted the sequence prior to filming because he felt it violated one of his major theories regarding the Poe series: "I had a lot of theories I was working with when I did the Poe films...One of my theories was that these stories were created out of the unconscious mind of Poe and the unconscious mind never really sees reality, so until The Tomb of Ligeia we never showed the real world...In Pit, John Kerr arrived in a carriage against an ocean background, which I felt was more representative of the unconscious. That horseback interlude was thrown out because I didn't want to have a scene with people out in broad daylight."[6]
The screenplay was modified from its original draft form during the film's shooting. Price himself suggested numerous dialogue changes for his character. In the script, when Francis Barnard is first introduced to Nicholas, the young man asks about loud, strange noises he had heard a few moments earlier. Don Medina responds: "Uh...an apparatus, Mr. Barnard. (turning) What brings you to us?" Price penciled in the suggestions "that must be kept in constant repair" and "that cannot be stopped". Later in the screenplay, when Nicholas recalls his father's chamber of torture, Price devised alternate explanations for Sebastian Medina's violence. During Nicholas's death scene, after falling to the bottom of the pit the character originally had dialogue at the point of dying, asking in a voice of horror, "Elizabeth. What have I done to you? (beat) What have I done to you?" The camera was to then cut directly to Elizabeth's face trapped in the iron maiden. Corman decided to jettison the lines, believing that the film should remain purely visual at that point and dialogue would ruin the power of the scene.[6]



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